KEEPING TRACK OF THINKINGS
Ella Barclay's online notebook. To see her current work please visit her website ellabarclay.com
KEEPING TRACK OF THINKINGS
artnet:

Remembering Beuys
“I Think art is the only political power, the only revolutionary power, the only evolutionary power, the only power to free humankind form all repression.” -Joseph Beuys
A performance artist and sculptor who worked in post-World War II Germany, Joseph Beuys was born on this day in 1921. Firm in his belief that “everyone is an artist,” Beuys worked on public and political art for the last 20 years of his life.
hyperallergic:

The Dark Side of the Sun at the Palais de TokyoInstallation by Julio Le Parc at the Palais de Tokyo in Paris (all photographs by the author for…View Post
Article: “Present Shock,” by Douglas Rushkoff
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natalyahughes:

Looking Full at Beam Contemporary, Melbourne. Exhibition runs from 22nd March till 22nd April. Photos by Jake Walker.
natalyahughes:

Looking Full at Beam Contemporary, Melbourne. Exhibition runs from 22nd March till 22nd April. Photos by Jake Walker.
natalyahughes:

Looking Full at Beam Contemporary, Melbourne. Exhibition runs from 22nd March till 22nd April. Photos by Jake Walker.
natalyahughes:

Looking Full at Beam Contemporary, Melbourne. Exhibition runs from 22nd March till 22nd April. Photos by Jake Walker.
natalyahughes:

Looking Full at Beam Contemporary, Melbourne. Exhibition runs from 22nd March till 22nd April. Photos by Jake Walker.
natalyahughes:

Looking Full at Beam Contemporary, Melbourne. Exhibition runs from 22nd March till 22nd April. Photos by Jake Walker.
natalyahughes:

Looking Full at Beam Contemporary, Melbourne. Exhibition runs from 22nd March till 22nd April. Photos by Jake Walker.
natalyahughes:

Looking Full at Beam Contemporary, Melbourne. Exhibition runs from 22nd March till 22nd April. Photos by Jake Walker.
theories-of:

Mike Hein - Green Lawnchair, plexi-glass, 36 x 17 x 19, 2008
"Young artists today walk into the art world on their own and do what they want to do. It’s the making of the career that’s hard. They can’t find the shiny path that seems to be what successful artists have. The conflict between what happens in the studio and what happens on the outside is still there—the public wanting things to go a certain way and the artist wanting things to go another way in terms of a career. Figuring out what a career is, how to work, when to work and what to work on—that’s the dilemma you talk about with younger artists."
(Sam Gilliam via blueberry platitudes)
theories-of:

Alisa Baremboym  Still Life 5, 2011